Beside his job as a freelance-technician and his light-jockeying he works with DJs and producers of the scene. In 2001 he starts projects with René Walliczek. Since 2005 Andy Lee is a steady partner on productions in his Frankfurt community.

In summer 2006 and since then a huge amount of creative input is formed with Commander Tom, Robyn Stager, Peter Eilmes and Robin Jacobs and definitely more to come. Remixes and co-productions with Alexander Weinstein and Dan D. also contribute to a good-vibe-influence on his output at his 1 ½-year stay in Berlin.

Altogether a whole bunch of releases flourish due to this get-together on labels like Android Muziq, Utils, Elektrax, Pias, Hypnotic Room, I220, PlayMusic Productions, Supdub Digitales etc..

His ability to create unique grooves as well as his technical head for music brings him plays by DJs like Emerson, Holgi Star, Toni Rios, DJ Goodgroove and Tobi Neumann. Now back in Frankfurt Rob StrobE is looking forward to a great year in 2010!

4 years of cutting samples, testing out kickdrums and scribbling gnarly ass electro presets he realized that less is more, brake it down to the bone gristle, kill your darlings, shape your love ones and strap it tight.

You may call him a slow starter, so be it, but finally in ‘09 in someway you could start to visualize the distant opacity of a triangular shaped pattern in a organized wall of nothingness, blunt attempt of expressing undefined feelings. So now a jump off is set, done and fixated, the turnout is uncertain, hopefully in the near future a sign of life will appear and fuse into the high quality kettle of the musical aesthetics we in this world chosen to dub as micro-house.

About The Music:
As eternal decay of a perfectly shaped rimshot, the rhythms are to cut loose and allowed to shift persona as they start a ethereal roll as a metallic hi hat cluster often interpreted as musical tumbleweed along the filthy shores of the Nordic sea. Sizemoreism’s music thriving to be a musical melting pot ranging from Phillp Glass to Foreinger with Flintheart Glomgold as the prime spectator.

Biography by: Hans Tweaklund.

He had his very first album released under the name techno unit “LOTUS” with Hideo Kobayashi and Dj Natsu in 1996. DJ Miku started his own label called “ns-com” afterwards and the label operation was based in Tokyo and London. His work involvement is mainly focus on DJing and label management while running the label. His music also has been released in 12 single inches, compilations and mix CD under “DJ MIKU” through other labels such as Pickin’MUSHROOM, WC recordings, blank records, ns-com, Pussyfoot, and Musicmine.

He produced the electronic music from the acoustical system to ele-pop in the domain in his own free sprit and various works have been released.

House music at present sounds totally different from what is used to be back then. Tunes now are composed with electronic rhythms, percussion, drums and wonderful melodies. In his live sets, you can definitely expect no less from his performance each time.

It may not be able to simply define his music styles. He produced music across House, Minimal, Tech House and Techno. He always thrives to deliver the best quality, innovative sounds that the public and fans would enjoy and appreciate. His work has reached and be recognised in Italy and Slovenia by the public and DJs.

In the course of his career he was also a member of the well known group “Matita Nerita” that for a long time gave life to the most exclusive parties in the area.

Currently, he is living in Bologna and working on his musical productions. Tommy collaborates with the Dibeat crew from Catanzaro.

At first, his productions and a live performances were performed using Japanese made synthesizers such as Roland and KORG, but recently he switched to digital based productions on Mac OS, using Cubase as his main tool.

The origin of his studio alias PARANOIA106, comes from the famous house/techno analog synthesizer Roland ‘JUNO-106′.

In the 2000s he took on composing his own music, and the emergent Homme Studio style, a variant of techno, breakbeat, ambient, electro, house and industrial genres was born.

Discovered by Knovel Records in Liège, he then began to work with a live rig that included a synth, talkbox, FX, and saturated song-structures.

In 2008 Homme Studio released a single through Eltronic Fusion, which was followed by a remix by Dave Tarrida on the special edition series of Sydney label Hypnotic Room in 2009, and the release of a remix of Kid606 on the label Tigerbeat6, following on from a competition. His music has also popped up on a compilation through the label Planet Terror.

Latest Release

At Dorian Gray – one of the birthplace of techno music – Pascal met Ramin Nagachian and produced with him in 1991 his first tracks which was publishes from „Planet Core Production“ on their sub label „Dance Ecstasy 2001“. Then he also start djing in the small room of Dorian Gray and other clubs and parties. After buying own studio equipment Pascal produced tracks for the labels „Lab Works“ and „Frankfurt Beat Produktions“.

1993 he met Michael Kohlbecker and started the project Eternal Basement. Sven Väth and his label Harthouse liked the sound and signed Eternal Basement in 1994. From 1993 to 1995 Michael and Pascal produced for Harthouse legendary tracks like “Kraft”, “Takin place in you” and the concept lp “Nerv” which was favourite tracks in Sven Väths and many other international top djs playlists. With Eternal Basement he peformed live at many festivals like the first „Nature One“ and other big techno events.

1995 Michael and he produced under the name „Negative Return“ also tracks for the label „Global Ambition“.

1996 Pascal decided to reduce his music activities and started working in some advertising and online agencies as project manager.

10 years later his passion for electronic music is stronger than ever. 2007 he discovered the virtual world Second Life and it club scene, and was suprised to find many top djs like Cari Leckebusch, Luke Slater, Steve Parker, Funkangenda spinning there. Since 2007 he spins continious in many Second Life underground clubs like Code 415, The Factory and other club and events. Pascals dj-style is a mix of minimal, techno and house. Not too strong but always powerfull and hypnotic. 2007 Pascal released the ep „Virtuality“ under his virtual name „Artec Amat“.

In 2009 Pascal and his new partner Thorsten Heiser started a new project namend “Wave System”. First tracks are now ready for releases on Hypnotic Room and Android Muziq.

His first impact with electronic music was in the 80’s with the Kraftwerk’s music. Electro was Max’s first passion, this was his first step into the music.
Hip hop/electro was important in his dj experience, in the 1985’s he started scratching and cutting, and this has influenced his way of mixing today as a good turntablist too. Considered one of the best European electronic dj, his dj sets are brilliant, and for this reason he has been named “the wizard of the decks”!!!

Durante had released his tracks (sometimes a pure old-school Electro made with analog equipments, sometimes a Modern Techno) on respected labels like 7b, Electrix, MinimalRome and Monotone. In the past he has founded, with Anthony Rother, the project called Netzwerk Europa, has started a join-venture with Keith Tucker from Aux 88 and has collaborated with Tuxedomoon for the re-press of their album on International Deejay Gigolo. In the spring of 2009 he created three new digital labels: Analog Dust, Sintetico and Macroaudio. In the same time he has re-launched Prodamkey, the music platform born in 1998.

Top Tracks

He also started to buy techno records and mixtapes from the local record stores and regularly taped mixes off the radio as he was always seeking out new sounds to inspire his productions.

After school he moved to Edinburgh to study music. This is where he caught the clubbing bug. Edinburgh had a vibrant techno scene at the time with clubs like ‘Pure’ regularly booking Detroit and Chicago legends like Jeff Mills, Derrick May as well as other inspirational DJ’s like Dave Clarke, Joey Beltram and Surgeon. The atmosphere in the clubs inspired him to start taking his music production more seriously and after some soul searching, he decided to leave Edinburgh and move to London to study music technology and establish a career in music production.

After moving to London, Orlando became heavily influenced by the tech-house sound, which he heard at clubs like ‘Fabric’ and ‘The End’. This directly affected his production style, which moved more in this direction whilst retaining many elements of techno.

His early tracks had received radio play on Kiss FM by the Loose Canon Dj’s as well as being selected as ‘Demo Of The Month’ twice on the ‘Split’ radio show, hosted by the revered techno dj/producers Ben Sims and Chris Finke.

The next natural progression was for the release of an EP, which is how the label ‘Eastbound Recordings’ came about, to release his own productions.

The first two releases gained support from big name dj’s including Derrick May, Stacey Pullen, Colin Dale, Paul Mac and Trevor Rockliffe as well as excellent reviews in magazines ‘iDJ’, ‘M8′ and ‘One Week To Live’.

More recently Orlando had an EP out on Paul Macs ‘Stimulus’ label which was charted No. 8 in Dave Clarkes 01/2009 top ten as well as being played on his ‘White Noise’ radio show and receiving a great review in ‘M8’ magazine by Mark EG. He also has an EP and album forthcoming on German imprint ‘Night Drive Music’ with one track, ‘Dark Scan’ that has also been played twice this year also on Dave Clarkes ‘White Noise’ show.